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Arroabarren Alemán, Ixone

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https://academica-e.unavarra.es/handle/2454/48615

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Arroabarren Alemán

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Ixone

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Ingeniería Eléctrica y Electrónica

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9484

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2002 - 20064
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Subject: Vibrato ×

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Now showing 1 - 4 of 4
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    PublicationOpen Access
    Vibrato in singing voice: the link between source-filter and sinusoidal models
    (Springer Open, 2004) Carlosena García, Alfonso; Arroabarren Alemán, Ixone; Ingeniería Eléctrica y Electrónica; Ingeniaritza Elektrikoa eta Elektronikoa
    The application of inverse filtering techniques for high-quality singing voice analysis/synthesis is discussed. In the context of source-filter models, inverse filtering provides a noninvasive method to extract the voice source, and thus to study voice quality. Although this approach is widely used in speech synthesis, this is not the case in singing voice. Several studies have proved that inverse filtering techniques fail in the case of singing voice, the reasons being unclear. In order to shed light on this problem, we will consider here an additional feature of singing voice, not present in speech: the vibrato. Vibrato has been traditionally studied by sinusoidal modeling. As an alternative, we will introduce here a novel noninteractive source filter model that incorporates the mechanisms of vibrato generation. This model will also allow the comparison of the results produced by inverse filtering techniques and by sinusoidal modeling, as they apply to singing voice and not to speech. In this way, the limitations of these conventional techniques, described in previous literature, will be explained. Both synthetic signals and singer recordings are used to validate and compare the techniques presented in the paper.
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    PublicationOpen Access
    Analysis and synthesis of vibrato in lyric singers
    (2002) Arroabarren Alemán, Ixone; Carlosena García, Alfonso; Ingeniería Eléctrica y Electrónica; Ingeniaritza Elektrikoa eta Elektronikoa
    In this paper two aspects of the vibrato signal characterisation are presented. First, an analysis method, which breaks down the musical signal into its different partials, and decomposes them into two separate contributions: AM and FM. This allows an objective characterization of the vibrato according to musical parameters. Second, a procedure for vibrato synthesis is proposed, based on the previous analysis. Even though the results of the synthesis are not fully satisfactory, they shed new light on the vibrato modeling.
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    PublicationOpen Access
    Modelling of vibrato production
    (2004) Arroabarren Alemán, Ixone; Carlosena García, Alfonso; Ingeniería Eléctrica y Electrónica; Ingeniaritza Elektrikoa eta Elektronikoa
    In this paper, a novel Non-Interactive Source-Filter model for singing voice, incorporating vibrato, is proposed. In this way the periodic frequency variation, peculiar to vibrato is included in a simplified signal model for singing voice production. The inclusion of vibrato will further allow to relate two distinct signal models for the voice: The Non Interactive Source-Filter and the Sinusoidal Models. In this way, the Instantaneous Amplitude and Instantaneous Frequency of the harmonics, which are intrinsically Sinusoidal Model parameters, will be related to the glottal source and vocal tract response, typical of the Source-Filter model. Thanks to the proposed model, the most relevant acoustic features of vibrato will be related to the voice production mechanisms.
  • Thumbnail Image
    PublicationOpen Access
    Effect of the glottal source and the vocal tract on the partials amplitude of vibrato in male voices
    (Acoustical Society of America, 2006) Arroabarren Alemán, Ixone; Carlosena García, Alfonso; Ingeniería Eléctrica y Electrónica; Ingeniaritza Elektrikoa eta Elektronikoa
    In this paper the production of vocal vibrato is investigated. The most relevant features of the acoustical vibrato signal, frequency and amplitude variations of the partials, will be related to the voice production features, glottal source GS and vocal tract response VTR . Unlike previous related works, in this approach, the effect on the amplitude variations of the partials of each one of the above-mentioned voice production features will be identified in recordings of natural singing voice. Moreover, we will take special care of the reliability of the measurements, and, to this aim, a noninteractive vibrato production model will be also proposed in order to describe the vibrato production process and, more importantly, validate the measurements carried out in natural vibrato. Based on this study, it will be shown that during a few vibrato cycles, the glottal pulse characteristics, as well as the VTR, do not significantly change, and only the fundamental frequency of the GS varies. As a result, the pitch variations can be attributed to the GS, and these variations, along with the vocal tract filtering effect, will result in frequency and amplitude variations of the acoustic signal partials.