Normas y discursos. Los conflictos armados y el derecho penal antes y después del 11-S
Date
2016Version
Acceso abierto / Sarbide irekia
Type
Artículo / Artikulua
Version
Versión publicada / Argitaratu den bertsioa
Impact
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nodoi-noplumx
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Abstract
In this paper we will analyze several aspects of the ‘war on terror’ by comparing the classic legal war-paradigm with the security policies that have been activated after 9/11. Taking certain cornestones of ius publicum europaeumas our starting point (such as the distinction between enemy and criminal or the principle of equality between enemies), we will try to show how the current restoration o ...
[++]
In this paper we will analyze several aspects of the ‘war on terror’ by comparing the classic legal war-paradigm with the security policies that have been activated after 9/11. Taking certain cornestones of ius publicum europaeumas our starting point (such as the distinction between enemy and criminal or the principle of equality between enemies), we will try to show how the current restoration of the ‘just war doctrine’ is increasing the confusion between international responsibility and criminal liability, thereby blurring the distinction between ius ad bellumand ius in bello. However, in our view, the reasons put forward to support these ‘new wars’, far from being new, have on the contrary legitimated a way back to discursive and normative mechanisms that justify war with medieval arguments. [--]
Subject
Ius ad bellum/ius in bello,
War on terror,
Just war,
Security,
Preventive defense
Publisher
Università degli studi Firenze
Published in
Jura Gentium: Rivista di Filosofia del Diritto Internazionale e Della Politica Globale, 13 (1), 65-91
Departament
Universidad Pública de Navarra. Departamento de Derecho Público /
Nafarroako Unibertsitate Publikoa. Zuzenbide Publikoa Saila
Sponsorship
Este trabajo se enmarca en el Proyecto DER2013-47425-R (“La guerra y sus justificaciones. Tendencias y problemas actuales”) financiado por el Ministerio de Economía y Competitividad y dirigido por Roger Campione.